{"product_id":"vintage-fender-stratocaster-blond-maple-neck-usa-1959","title":"SOLD - Vintage Fender Stratocaster – Blond - Maple Neck – USA 1959","description":"\u003cp data-mce-fragment=\"1\"\u003eWow – what a find … a pre-rosewood neck 59 Fender Strat finished in Blond, and in fabulous vintage condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Fender –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Design changes implemented in 1959 were significant enough for models introduced later that year to be considered the “second incarnation” of the Stratocaster. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMost notably, the one-piece maple neck\/fingerboard was replaced by a two-piece construction consisting of a rosewood “slab” fingerboard (so nicknamed later on for its thickness and flat bottom) glued atop the maple neck. Since the now front-installed truss rod could now by set into a channel routed into the top of the neck and then covered by the glued-on fingerboard, this design rendered the “skunk stripe” on the back of the neck and the “teardrop” plug on the headstock unnecessary. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThese new rosewood-fingerboard models also replaced the black marker dots on the neck with new off-white “clay” dots. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn mid 1959, Stratocasters were given multi-ply celluloid pickguards with more screw holes (11) and a notable greenish tint (although some were given faux-tortoiseshell nitrocellulose pickguards). Other more minor changes took place (thinner aluminium shielding, thinner neck shape, a metal spacer added below the string tree, etc.); suffice to say that the Stratocaster was poised for a new decade with a new look.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut this one has none of those changes. Fender introduced the rosewood slab fingerboard around May 1959, but the body date on this one is April 59, and the pots date to May 59. So we believe this is one of the very last 59 Strats built to the original spec of that year. It sports the one piece maple neck, single ply pickguard, skunk stripe and black marker dots of early 1959.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd it is finished in the custom colour of Blond, which makes this guitar most rare and appealing. Another quite unique feature is the red ink used on the control knobs. We have only ever seen this once before – on a late 50s Strat we sold some years ago.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe emailed dozens of photos to the acknowledged leader in the field of vintage guitar appraisals, Gruhn Guitars in Nashville, for an accurate objective assessment of this guitar in February 2022. This is what they sent us –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAppraisal by Gruhn Guitars - February 15\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“I have examined the attached photos of the instrument described below, but have not seen the instrument itself. My appraisal is only accurate insofar as the photos are representative of the actual condition of the instrument.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWe certify the instrument described below is, in our opinion, a Fender Stratocaster model electric guitar, made early in the year 1959.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDescription:\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e We have been provided the following information: “This guitar was bought in the 1990’s by a member of a high-profile Aussie band from Albert Molinaro, then at Guitars R Us in Los Angeles.” Serial number: 41477 – die-stamped on metal neck attachment plate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe neck attachment plate serial number of this instrument could indicate a date of manufacture in the year 1959 or 1960, but is insufficient to indicate a definitive date because these plates were pre-stamped in large quantities and then used in random order so the numbers do not strictly correspond to the final assembly dates. They also can be easily changed and do not serve as an indicator of originality for an entire instrument. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eHowever, the body date (“4\/59” handwritten inside tremolo body cavity) and potentiometer manufacturing date codes (304 920 – indicates Stackpole potentiometers produced during the 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e week of the year 1959 – only the tone potentiometers are original in this guitar) are also consistent with this guitar being originally assembled in the year 1959. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eUpon examination, we note the following modifications and condition issues: the tremolo arm and removable metal bridge cover are missing, and the volume potentiometer has been replaced with a part from a later period (e.g., based on the appearance of the potentiometer and the wiring harness leads with re-heated solder joints which connect to it). \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOtherwise, this guitar appears structurally to be in excellent condition. The body appears to exhibit a factory-original custom-color Blond finish. The entire finish appears to be original and exhibits typical deterioration with lacquer checking, small impact marks, surface scratches, compression marks, edge-chipping and areas of complete loss on the neck rear, due to friction rubbing. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn other respects, this instrument conforms to the typical specifications of the model for the period in which it was made with double-cutaway \u003cu data-mce-fragment=\"1\"\u003eash\u003c\/u\u003e body with custom-color blond finish (e.g., ash body is correct for use with blond finish - other body finish options were available) -\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e8-screw single-ply white plastic pickguard (use ends during July 1959), \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIntegral tremolo bridge\/tailpiece assembly (non-tremolo version was also available – but is much less common), \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThree single-coil pickups, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThree white “skirt-style” control knobs (e.g., with red color lettering – knobs with blue or green lettering have also been seen during the 1959-1960 period),\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThree-position blade-type pickup selector switch, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaple neck with adjustable truss-rod (adjustment at heel end of neck), \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e4-bolt metal neck attachment plate with die-stamped serial number, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFender “spaghetti” logo peghead decal,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOne rectangular “butterfly” string tree on 1\u003csup data-mce-fragment=\"1\"\u003est\u003c\/sup\u003e and 2\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e strings, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“single line” Kluson Deluxe tuners with metal buttons, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e21-fret integral maple fingerboard with black dot inlays (use ends mid-year 1959), \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNickel-plated metal hardware,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAnd other typical Stratocaster model appointments. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe instrument is currently housed in the original rectangular hard-shell case with tweed cloth exterior covering.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbout George Gruhn -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGruhn moved to Nashville in 1969 after getting his bachelor's degree from the University of Chicago and doing graduate work at Duke University and the University of Tennessee. In 1970, he established Gruhn Guitars, which is today one of the largest dealers of vintage and used instruments in the world. He is the co-author of Gruhn's Guide to Vintage Guitars, which is the comprehensive field guide to vintage fretted instruments, and the companion volumes Acoustic Guitars and Other Fretted Instruments and Electric Guitars and Basses. His articles have been published in numerous magazines. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e---------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo, there you have it. One of the most rare and desirable guitars we have ever listed here at PREMIER GUITARS in Sydney.\u003c\/p\u003e\n\u003cp\u003eBTW - the trem arm and ashtray bridge cover are included – we just didn’t send Gruhn’s pics of them.\u003c\/p\u003e\n\u003cp\u003eAnd does it play well ?? Why YES – it exhibits every ounce of sweet Fendery goodness you could wish for in a 50s Strat. It is a beautiful instrument to play, with tone and nuance to burn at every pickup setting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis irreplaceable 1959 Stratocaster would be a pinnacle addition to any serious collector’s assemblage.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its original tweed Fender case in worn but good structural condition.\u003c\/p\u003e","brand":"Reemes Music","offers":[{"title":"Default Title","offer_id":53839055749439,"sku":"RMC-MUS-G57651990","price":5999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0990\/7535\/9039\/files\/01.jpg?v=1782094993","url":"https:\/\/www.reemesmusic.com\/products\/vintage-fender-stratocaster-blond-maple-neck-usa-1959","provider":"Reemes Music","version":"1.0","type":"link"}