{"product_id":"vintage-gibson-les-paul-custom-usa-1969","title":"SOLD - Vintage Gibson Les Paul Custom – USA 1969","description":"\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an iconic guitar in the history of Aussie pop rock. It was owned by a founding member of one of Australia’s most successful and high profile bands of the swinging 70s. It was used on countless recordings, tours and TV appearances over many years. If you were a watcher of the ubiquitous ABC music show Countdown, particularly in the early years, you would have seen this guitar. It was the go-to instrument for one of the most respected \u0026amp; well-loved guitarists in Australia before he sadly left us a few years ago.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLike the Les Paul Standard, the Les Paul Custom was replaced with the SG body style at the end of 1960. The original Les Paul and Les Paul Custom were not brought back until 1968. Upon its reintroduction, the Les Paul Custom differed from those of the '50s in number of ways - the headstock was a slightly steeper angle, the control cavity in the body was cut in a different manner, and the neck tenon was longer. Starting in late 1969, the Custom also adopted a multi-ply body construction with a Maple top like the Les Standard, where the original Les Paul Custom used an all Mahogany body. Other changes include the introduction of a neck volute and a 'Made in USA' stamp on the back of the headstock.\u003c\/p\u003e\n\u003cp\u003eHowever, this one is from earlier in ’69, and features a one-piece body, not the pancake, and no neck volute.\u003c\/p\u003e\n\u003cp\u003eAnd because this is relatively famous guitar, we actually do know of its entire provenance and some changes made to this instrument over the years.\u003c\/p\u003e\n\u003cp\u003eThey include –\u003c\/p\u003e\n\u003cp\u003eGold Grover tuners fitted in 1998\u003c\/p\u003e\n\u003cp\u003eProfessional refret – late 90s\u003c\/p\u003e\n\u003cp\u003eReplaced gold Gibson ABR bridge (original in the case)\u003c\/p\u003e\n\u003cp\u003eBlack witches hat knobs replaced with gold Gibson top hat knobs\u003c\/p\u003e\n\u003cp\u003ePickup covers removed (one remains in the case)\u003c\/p\u003e\n\u003cp\u003eSwitch tip replaced\u003c\/p\u003e\n\u003cp\u003eThe most significant changes was a subtle slimming of the neck and headstock repair. The original chunky neck profile was carefully reduced to resemble that of the 1960s Epiphone Casino also played by the owner at the time. Additionally, t\u003cspan data-mce-fragment=\"1\"\u003eh\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis guitar has had a\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e headstock repair which is virtually undetectable.\u003c\/span\u003e The back of the neck was refinished in perfectly matching gloss ebony. This work was carried out by respected Melbourne luthier Merv Cargill. And an excellent job it is – without actual knowledge of this work having been done, you’d be hard pressed to know about it at all. The lacquer matching is perfect, and the neck now feels like a 1960 Les Paul neck – not thin at all, but nothing like the baseball bat profile of some ’58 and ’59 reissues.\u003c\/p\u003e\n\u003cp\u003eNeck thickness is now -\u003c\/p\u003e\n\u003cp\u003e1\u003csup\u003est\u003c\/sup\u003e fret = 20.5mm (13\/16”)\u003c\/p\u003e\n\u003cp\u003e12\u003csup\u003eth\u003c\/sup\u003e fret = 23.8 mm  (15\/16”)\u003c\/p\u003e\n\u003cp\u003eOther standard features include –\u003c\/p\u003e\n\u003cp\u003e2 x Gibson T-Top Patent No. humbucking pickups\u003c\/p\u003e\n\u003cp\u003e3 piece mahogany neck\u003c\/p\u003e\n\u003cp\u003eEbony fingerboard\u003c\/p\u003e\n\u003cp\u003eBound fingerboard\u003c\/p\u003e\n\u003cp\u003eBlock inlays\u003c\/p\u003e\n\u003cp\u003e22 medium jumbo frets\u003c\/p\u003e\n\u003cp\u003e3 pickup selector\u003c\/p\u003e\n\u003cp\u003eBlack pickguard\u003c\/p\u003e\n\u003cp\u003eStopbar tailpiece\u003c\/p\u003e\n\u003cp\u003eGold hardware\u003c\/p\u003e\n\u003cp\u003eLP Custom split diamond headstock inlay\u003c\/p\u003e\n\u003cp\u003eGloss Ebony finish\u003c\/p\u003e\n\u003cp\u003eFrets are in great shape with lots of life left. Its two original Gibson humbucker pickups have nice strong outputs of 7.6k and 7.8k. All wiring appears to be original and unmolested.\u003c\/p\u003e\n\u003cp\u003eSerial number 8849xx actually checks out to 1968\u003c\/p\u003e\n\u003cp\u003ePot date codes are 13769xx = 1969 \u003c\/p\u003e\n\u003cp\u003eAnd this one has no volute, and no Made In USA stamp, making it less common and more collectable than other later ’69 LP Customs. \u003c\/p\u003e\n\u003cp\u003eThis one is a great player, and it has been well played. It has some dings, marks and tarnishing associated with 50 years of player wear. But there are no other cosmetic issues and certainly no structural problems. \u003c\/p\u003e\n\u003cp\u003eMost importantly, it plays great and sounds fantastic. The pickups are rich, tonally complex, and sound good at any volume setting.\u003c\/p\u003e\n\u003cp\u003eThis guitar has made some significant music over many years, and deserves a new appreciative home. It has stories to tell, and lots more miles in the tank.\u003c\/p\u003e\n\u003cp\u003eComes in its original Stamford hard case in reasonable condition, complete with remnants of dozens of luggage tags bearing testament to the thousands of journeys taken by this exceptional guitar.\u003c\/p\u003e","brand":"Reemes Music","offers":[{"title":"Default Title","offer_id":53838979268927,"sku":"RMC-MUS-G38439908","price":5999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0990\/7535\/9039\/files\/Vintage_Gibson_Les_Paul_Custom_USA_1969.jpg?v=1782094920","url":"https:\/\/www.reemesmusic.com\/products\/vintage-gibson-les-paul-custom-usa-1969","provider":"Reemes Music","version":"1.0","type":"link"}